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Bob Haozous is a man with a mission, or two. Some thirty years ago he set out to be a damn good sculptor. He has since achieved this, successfully wedding Native and especially Apache imagery with powerful form and a sharp, unequivocal wit aimed at contemporary American life, at “the white man in all of us.” Between them, he and his father – the deeply respected artist Allan Houser – have defined the range of Native American sculpture. Lucy R. Lippard excerpt from catalog essay for 2005 IAIA Museum exhibition: Bob Haozous - indigenous dialogue
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