Bob Haozous is a man with a mission, or two. Some thirty years ago he set out to be a damn good sculptor. He has since achieved this, successfully wedding Native and especially Apache imagery with powerful form and a sharp, unequivocal wit aimed at contemporary American life, at “the white man in all of us.” Between them, he and his father – the deeply respected artist Allan Houser – have defined the range of Native American sculpture.
BOB HAOZOUS
(b. 1943, Los Angeles, CA)
Warm Springs Chiricahua Apache
2002
American Craft Museum, New York, NY – Changing Hands: Art Without Reservation
2001
La Biennale di Venezia (49th Exhibition), Venice, Italy – Umbilicus, 2nd Sovereign Native American Group Exhibition
2000
Roswell Museum and Art Center, NM – Two Apaches, Two Visions (with Oliver Enjady)
University of New Mexico – Cultural Crossroads of the Americas (censored sculpture)
Westphalian State Museum, Germany – Indian Reality Today
1999
La Biennale di Venezia (48th Exhibition), Venice, Italy – Ceremonial, 1st Sovereign Native American Group Exhibition
Bridges and Boundaries, Bonn & Görlitz, Germany (USIS and US Embassy-sponsored)
1997
Jacqueline Kennedy Garden, The White House, Washington, DC – Twentieth Century American Sculpture (curated by the Heard Museum)
Museum of Fine Arts, Santa Fe, NM – Curatorial Selections
1996
Peace Art Show: Atomic Synthesis & Social Fallout from New Mexico, Albuquerque, NM
Albuquerque United Artists, Japan Tour – Art from the Birthplace of the Atomic Bomb (Tokyo, Hiroshima, Nagasaki)
1995
Museum of Northern Arizona, Flagstaff, AZ – Group Show
Socrates Park Sculpture Garden, Long Island, NY
1993
Trondheim Sjofartsmuseum, Trondheim, Norway – Variety
1992
Castillo Cultural Center, New York, NY – Quincentennial Perspective: Artists Discover Columbus
The Morning Star Foundation, Washington, DC – Visions from Native America
Shared Visions – National traveling exhibition including:
Bob Haozous (born April 1, 1943) is a renowned Chiricahua Apache artist celebrated for his provocative sculptures and multimedia works that confront themes of identity, environmental issues, and institutional racism. As the son of esteemed Apache sculptor Allan Houser, Haozous has carved his own path in the art world, creating pieces that challenge societal norms and provoke thoughtful discourse. His art is characterized by a fusion of Native imagery with contemporary commentary, often employing humor and satire to address complex issues. Haozous's works have been exhibited internationally, including at the Venice Biennale, and are featured in prominent collections such as the British Museum and the National Museum of the American Indian. He continues to live and work in Santa Fe, New Mexico, contributing significantly to contemporary Native American art.